![]() During the same period Johns was strongly influenced by the choreographer Merce Cunningham and his partner, the composer John Cage. These included Sari Dienes, Rachel Rosenthal, and Robert Rauschenberg, with whom Johns began a romantic and artistic relationship that would last until 1961. Returning to New York in the summer of 1953, Johns worked at Marboro Books and began to meet some of the artists who would be formative in his early career. In 1951, Johns was drafted into the army during the Korean War, serving for two years, first in Fort Jackson, South Carolina, and then in Sendai, Japan. Encouraged by his professors, he then moved to New York City and enrolled briefly at the Parsons School of Design in 1949. Johns studied art for a total of three semesters at the University of South Carolina at Columbia, from 1947 to 1948. He graduated as valedictorian of Edmunds High School (now Sumter High School) class of 1947 in Sumter, South Carolina, where he once again lived with his mother and her family. He spent summer holidays with his father, Jasper, Sr., and stepmother, Geraldine Sineath Johns, who encouraged his art by buying materials for him to draw and paint. Following his grandfather's death in 1939, Johns spent a year living with his mother and stepfather in Columbia, South Carolina, and then six years living with his Aunt Gladys on Lake Murray, South Carolina. These paintings were the only artworks Johns remembers seeing in his youth. His paternal grandfather’s first wife, Evalina, painted landscapes that hung in the homes of several family members. He began drawing at the age of three and knew very early on that he wanted to be an artist, despite having little exposure to the arts where he grew up. Life īorn in Augusta, Georgia, Jasper Johns spent his early life in Allendale, South Carolina, with his paternal grandparents after his parents divorced. In 2010, his 1958 painting Flag was sold for a reported $110 million in a private transaction, becoming the most expensive artwork sold by a living artist. He currently lives and works in Connecticut. Johns is also a co-founder of the Foundation for Contemporary Arts. He has supported the Merce Cunningham Dance Company and contributed significantly to the National Gallery of Art's print collection. He was elected to the American Academy of Arts and Letters in 1973 and the American Philosophical Society in 2007. His use of familiar imagery, such as the American flag, played on the ambiguity of symbols, and this thematic exploration continued throughout his career in various mediums, including sculpture and printmaking.Īmong other honors, Johns received the Golden Lion at the Venice Biennale in 1988, the National Medal of Arts in 1990, and the Presidential Medal of Freedom in 2011. ![]() These works, characterized by their incorporation of familiar symbols, marked a departure from the individualism of Abstract Expressionist style and posed questions about the nature of representation. Johns's art career took a decisive turn in 1954 when he destroyed his existing artwork and began creating paintings of flags, maps, targets, letters, and numbers for which he became most recognized. The two were also close collaborators, and Rauschenberg became a profound artistic influence. After returning to New York in 1953, he worked at Marboro Books and began associations with key figures in the art world, including Robert Rauschenberg, with whom he had a romantic relationship until 1961. His education was interrupted by military service during the Korean War. He graduated as valedictorian from Edmunds High School in 1947 and briefly studied art at the University of South Carolina before moving to New York City and enrolling at Parsons School of Design. Johns was born in Augusta, Georgia, and raised in South Carolina. Considered a central figure in the development of American postwar art, he has been variously associated with abstract expressionism, Neo-Dada, and pop art movements. Jasper Johns (born May 15, 1930) is an American painter, sculptor, draftsman, and printmaker. This image illustrates Johns's early technique of painting with encaustic over a collage made from found materials such as newspaper. Flags, Numbers, Maps, Stenciled Words, TargetsĪbstract expressionism, Neo-Dada, pop artĭetail of Flag 1954–55, Museum of Modern Art, New York.
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